<p>The Oliver A. Wickes House is a historic house in Warwick, Rhode Island. The two-story stone structure was built in 1855 in a vernacular Federal/Greek Revival transitional style. The house is the only known period stone house in Warwick, and one of a very small number in the state. It has a four-bay main facade with a recessed entry framed by sidelights and a transom window.</p><br>
<p>The house was listed on the National Register of Historic Places in 1983.</p><br>
<p>The Colonel Micah Whitmarsh House is an historic house in East Greenwich, Rhode Island. The -story Greek Revival style brick house was built c. 1767-1771 by John Reynolds, and acquired in 1773 by Micah Whitmarsh, a founding member of the local Kentish Guards militia, which are located nearby in the Armory of the Kentish Guards. It is distinctive as the only brick house on Main Street. It has been owned since 1966 by the East Greenwich Historical Society.</p><br>
<p>The house was listed on the National Register of Historic Places in 1971.</p><br>
<p>The William Waterman House is a historic house in Coventry, Rhode Island. It is located on the west side of Rhode Island Route 102, a short way north of its junction with Bowen Hill Road. The -story wood-frame house was built, probably before 1793, by William Waterman, a descendant of one of Coventry&#39;s earliest European settlers. It is five bays wide, with a large central chimney. Its entry is the most elaborate part of the main facade, flanked by paired pilasters and sheltered by a barrel-vaulted portico with triangular pediment.</p><br>
<p>The house was listed on the National Register of Historic Places in 1980.</p><br>
<p>The John R. Waterman House is an historic house at 100 Old Homestead Road in Warwick, Rhode Island. The -story wood-frame house was built c. 1800 by John R. Waterman, a prominent local farmer and politician. Waterman played a significant role in what became known as Dorr&#39;s Rebellion, an ultimately successful attempt to force liberalizing changes to the state constitution. The house is an excellent local example of Federal style, and is locally distinct for its use of paired interior chimneys instead of a large central one.</p><br>
<p>The house was listed on the National Register of Historic Places in 1983.</p><br>
<h2>John Robinson Waterman</h2><br>
<p>John Robinson Waterman (1783-1876) was a descendant of Richard Waterman, one of Warwicks early landholders. He was the grandson of Col. John Waterman (ca. 1730 - June 11, 1812) who served in Warwicks units of the Rhode Island Militia and the son of "Deacon" John Waterman. John Robinson Waterman Papers</p><br>
<p>Tanner, farmer, and Republican of Warwick, Rhode Island.</p><br>
<p>Papers, 1804-1873.</p><br>
<p>Size: 1.5 lin. ft.</p><br>
<p>Catalog number: MSS 790</p><br>
<p>Processed by: Harold Kemble</p><br>
<p>Additions by Robin Flynn, March 2001</p><br>
<p>©Rhode Island Historical Society</p><br>
<p>Manuscripts Division</p><br>
<p>He joined the family&#39;s leather business. When he became a partner with his father in the tannery in 1808 it was renamed John Waterman Jr. & Son. He served in the Rhode Island legislature from 1821 to 1828. He supported legislation for public schools and suffrage without a property owning requirement.</p><br>
<p>Also off Old Homestead Road is the Waterman family cemetery. The cemetery has the graves of Col. Benoni Waterman and several dozen family descendants.</p><br>
<p>Benoni and John Waterman Family Papers</p><br>
<p>Warwick, R.I. merchants, tanners, and militia officers.</p><br>
<p>Papers and militia records, 1720-1835.</p><br>
<p>Size: 1 lin. ft.</p><br>
<p>Catalog number: MSS 787</p><br>
<p>Processed by: Robin Flynn, January 2001</p><br>
<p>©Rhode Island Historical Society</p><br>
<p>Manuscripts Division A cemetery for slaves belonging to members of the family is also located in the area.</p><br>
<p>The Waterman Tavern is a historic house and tavern at 283 Maple Valley Road, near Whaley&#39;s Hollow in Coventry, Rhode Island. The -story wood-frame house was built before 1747 by John Waterman, who was licensed to operate a tavern on the premises in that year. It is five bays wide with a central chimney. The site was advantageously located on the main road between Providence and Plainfield, Connecticut. The tavern was a center of civic discourse, and town meetings were regularly held there until 1835.</p><br>
<p>The tavern was one of the first stops along the route taken by Count de Rochambeau&#39;s army during its 1781 march from Providence to Yorktown, Virginia during the American Revolutionary War. The main army camped near the tavern, while the officers were quartered in the tavern itself.</p><br>
<p>The building was listed on the National Register of Historic Places in 1974.</p><br>
<p>The Warwick Civic Center Historic District is a historic district encompassing three buildings at the civic heart of Warwick, Rhode Island.</p><br>
<h2>History</h2><br>
<p>The three buildings are Warwick City Hall, the Henry Warner Budlong Memorial Library, the Kentish Artillery Armory. Prior to its demolition the Old Fire Station was also included. The first three buildings line the north side of Post Road just east of the junction of US Route 1 and Rhode Island Route 117, where the village of Apponaug was established in the 17th century. All were built between 1890 and 1925; the fire station, which then housed social services agencies, was, before its demolition, the oldest.</p><br>
<p>The district was listed on the National Register of Historic Places in 1980.</p><br>
<h2>Contributing properties</h2><br>
<h3>Kentish Artillery Armory, 3259 Post Road</h3><br>
<p>This building was built in 1912 on the site of a former armory, built in 1854, that had been destroyed by fire. The old building was in the Greek Revival style, like Apponaug&#39;s other early civic buildings. Designed by prolific Rhode Island architects William R. Walker & Son, the new building was designed in what was at the time called "a castellated style". The building was occupied for armory purposes until 1977, when the last member of the Kentish Guard died. At that time the building was deeded to the city, which rented the building to the Warwick Museum, now the Warwick Museum of Art, which has remained there ever since.</p><br>
<p>Formerly mounted on the building&#39;s facade were two cannons which dated back to the American Revolution. They went missing in 1972, and they have never been found. Taking their place are two wooden replicas.</p><br>
<h3>Former Fire Station, 3265 Post Road</h3><br>
<p>Built circa 1890, Apponaugs former fire station was a much altered Queen Anne style wooden building. After outliving its use as a fire station, the building was used as the offices of social service agencies and the municipal employees credit union. Since the district&#39;s listing on the NRHP, this building has been demolished.</p><br>
<h3>Henry Warner Budlong Memorial Library, 3267 Post Road</h3><br>
<p>This building, now the Apponaug branch of the Warwick Public Library, was built in 1924-25 to serve as the home of the Apponaug Free Library Association. The money for the construction was given by Henry W. Budlong, a prominent local philanthropist. It was designed by the Providence firm of Hoppin, Field & Peirce in a very plain version of the Classical Revival style. The building&#39;s front entrance was originally ornamented by two Tuscan columns, but these were removed sometime in the 1970s. The original doors have also been replaced, but the ormantal hood still remains.</p><br>
<p>Architect Howard Hoppin was also the architect of the nearby St. Barnabas Episcopal Church, several years before.</p><br>
<h3>Warwick City Hall, 3275 Post Road</h3><br>
<p>This, the largest building in the district, was also designed by William R. Walker & Son. It replaced an assortment of town buildings, which were built in 1834-35 in the Greek Revival style. The building, designed in the Queen Anne and Colonial Revival styles, is an important local landmark. When the towns of Warwick and West Warwick were split, it was one of two major buildings of contention in the proceedings. Warwick kept the Town Hall, while West Warwick, the denser of the towns, kept the former High School. In 1929 the town built an addition on the rear of the building, to contain the city archives. This was designed by Jackson, Robertson & Adams.</p><br>
<p>On the grounds is the city&#39;s World War I memorial, dedicated in 1919 and designed by Warwick sculptor John G. Hardy, who was also commissioned for memorials in North Providence as well as in Templeton, Massachusetts.</p><br>
<p>After falling into a period of decline, City Hall was restored beginning in the 1980s. The first phase focused on the exterior, while interior restoration continued into the 1990s. Further restoration work, completed in 2013, brought the tower&#39;s bell and clock back into working order.</p><br>
<p>The General James Mitchell Varnum House is an historic house at 57 Peirce Street in East Greenwich, Rhode Island. The -story wood-frame house was built in 1773 for James Mitchell Varnum, who later served as a general in the Continental Army during the American Revolutionary War. It is five bays wide, with two interior brick chimneys. Its main entry is sheltered by a portico supported by fluted Ionic columns and pilasters. A 19th-century addition extends from the rear of the main block. Notable later residents of the house include George A. Brayton, who served as Chief Justice of the Rhode Island Supreme Court. The house was purchased in 1939 by the Varnum Continentals, and has since served as a museum.</p><br>
<p>The house was listed on the National Register of Historic Places in 1971.</p><br>
<p>The Valley Queen Mill is an historic mill at 200 Providence Street in West Warwick, Rhode Island.</p><br>
<p>It is a five-story L-shaped stone building built in 1834 by the Greene Company. The mill is the oldest of the three mill buildings in the area. It originally operated as a cotton factory, producing coarse cotton cloths under the Greene Company name.</p><br>
<p>In 1888, B.B.& R. Knight Company, the textile giant that made Fruit of the Loom products, purchased the Valley Queen Mill, and enlarged the plant. B.B &.R. Knight was a complete textile operation with combing, spinning and weaving facilities.</p><br>
<p>On January 23, 1922, the workers at the Valley Queen Mill struck, following the lead of their neighboring workers at the Royal Mill, who walked out in response to an attempted 20% wage cut. Soon the entire Pawtuxet River Valley was shut down, the strike spread and became the 1922 New England Textile Strike.</p><br>
<p>In 1931, the McIver Family, which owned The Original Bradford Soap Works, bought the Valley Queen Mill after B.B. & R Knight Company went bankrupt. In the 1960s, the Howland Family took over the business. Under the leadership of the Howland family, today manufactures high quality bar soaps and soap bases in the Valley Queen Mill building.</p><br>
<p>The mill was listed on the National Register of Historic Places in 1984.</p><br>
<p>St. Mary&#39;s Church and Cemetery is a historic Roman Catholic church building and cemetery in Crompton, a village of West Warwick, Rhode Island.</p><br>
<h2>Description</h2><br>
<p>The neo-Gothic building was constructed in 1844. The building is the oldest Catholic church still in use in the Roman Catholic Diocese of Providence. The church building was added to the National Register of Historic Places in 1978.</p><br>
<p>Notable burials include Civil War Medal of Honor recipient Charles Hawkins (1834/35–1908), Pro-football player Frank Maznicki (1920–2013), and MLB player Mike Roarke (1930–2019).</p><br>
<p>The Memorial Continental Hall in Washington, D.C. is the national headquarters of the Daughters of the American Revolution . It is located at 1776 D Street NW, sharing a city block with the DAR&#39;s later-built Administration Building, and Constitution Hall. Completed in 1910, it is the oldest of the three buildings. It was the site of the 1922 Washington Naval Conference, a major diplomatic event in the aftermath of World War I. The building was declared a National Historic Landmark in 1972.</p><br>
<h2>Description</h2><br>
<p>Memorial Continental Hall occupies the eastern third of the city block bounded by C and D, 17th and 18th Streets NW, on the west side of the Ellipse near the White House. It is a two-story masonry structure, built out of brick and concrete whose exterior is clad in Vermont marble with Georgian revival features. Its three street-facing elevations all have monumental two-story porticos with Doric columns. The principal entrance, facing east toward 17th Street and the Ellipse, is extended to function as a porte cochere, with a drive passing under it. The south portico is semi-circular, with thirteen columns.</p><br>
<h2>History</h2><br>
<p>Memorial Continental Hall was commissioned by the DAR in 1902 to be used as a headquarters, assembly hall, and meeting place for DAR conferences. Architect Edward Pearce Casey designed the building, and construction occurred between 1904 and 1910. It was the first of three DAR buildings erected on the same site. The nearby Administration Building was built in 1920, and Constitution Hall was built at the opposite end of the site in 1929. The Administration Building was expanded in 1950 to unite all three buildings.</p><br>
<p>The final act of the 1913 Woman Suffrage Procession, initiated by Alice Paul, was a meeting at the Memorial Continental Hall. Speakers were Anna Howard Shaw, Carrie Chapman Catt, Mary Johnston, and Helen Adams Keller.</p><br>
<p>Memorial Continental Hall was the site of the Washington Naval Conference in 1921-22, a major diplomatic meeting in which the major powers of the world agreed to limit the sizes and capabilities of their naval forces.</p><br>
<p>In 1943 the hall was loaned to the American Red Cross for emergency wartime work.</p><br>
<p>In 1949, the stage in the auditorium was removed and the room was converted to a library.</p><br>
<p>D.A.R. Hall, Washington, D.C.2.jpgMemorial Continental Hall</p><br>
<p>Monument thru colonnades of D.A.R.jpgCirca 1916</p><br>
<p>The American annual of photography (1917) (14784108395).jpgWashington Monument from Memorial Continental Hall, 1917</p><br>
<p>DAR constitution hall.jpg2005</p><br>
<p>The Union Church is an historic church and local history museum owned by the Portsmouth Historical Society at 870 East Main Road at Union Street in Portsmouth, Rhode Island. One exhibit room is dedicated to Julia Ward Howe and includes a collection of furniture from her summer home in Portsmouth and a display about her life.</p><br>
<h2>History</h2><br>
<p>The Union Church building was constructed in 1865 at the cost of $7,000 for the congregation of the Portsmouth Christian Union Church, which was founded in 1810 and originally met in homes and then a smaller meeting house. The congregation was active until after World War I. The last worship service was held in 1937 and then it was declared a defunct organization by the Superior Court in 1940 with the fourteen remaining members voting to donate the property to the Portsmouth Historical Society. It now houses the majority of the historical society&#39;s collections.</p><br>
<p>The former church building was added to the National Register of Historic Places in 1974.</p><br>
<p>Adjacent to the church is a 1725 schoolhouse building. The Society opens the museum buildings weekly.</p><br>
<p>The Union County Courthouse in Morganfield, Kentucky was placed on the National Register of Historic Places on November 17, 1978. The current courthouse is the third one for Union County, and was opened in 1872. The Public Works Administration would later double the size on the courthouse.</p><br>
<p>Union County was named due to the near unanimous decision of the county&#39;s citizens to split from the county it was previously in, Henderson.</p><br>
<p>The first county courthouse for Union County was built in 1811–1812. The second courthouse was built in 1819–1820. That courthouse would be destroyed during the Civil War. The current courthouse was built in 1871–1872.</p><br>
<p>Although born in Kentucky, Abraham Lincoln gave only one political speech in that state. This speech was presented at the Union County courthouse. It was in 1840 when Lincoln, at the age of 31 and an elector from Illinois, campaigned for the Whig presidential candidate William Henry Harrison. This was done after Lincoln led a parade from Shawneetown, Illinois, with white horses pulling floats carrying ladies.</p><br>
<p>The Conanicut Friends Meetinghouse is a historic Quaker meeting house at the junction of North Road and Weeden Lane in Jamestown, Rhode Island.</p><br>
<p>The structure was built in 1786 to replace the original meeting house destroyed by the British after they occupied Conanicut Island in 1776. The building was added to the National Register of Historic Places in 1973, and is included in the Windmill Hill Historic District. It is still used for religious services during the summer. It contains the Old Friends&#39; Burial Ground.</p><br>
<p>The John F. Adams House is a historic house in Pawtucket, Rhode Island, United States. In 1983 it was added to the National Register of Historic Places ; the houses unique exterior and architecture were described in the multiple property submission as the "finest late Italianate dwelling still standing in Pawtucket." Its design is similar to the dwellings designed by Henry Austin and features Moorish window hoods and Indian porch columns. The John F. Adams House was moved back 50 ft and turned to face Allen Avenue after it was purchased by the Beacon Oil Company in 1929. This minor move was found not to make it ineligible because of the houses architectural and historical significance. It was added to the National Register of Historic Places in 1983.</p><br>
<h2>Design</h2><br>
<p>The house was erected in 1867 by John F. Adams, a wealthy manufacturer of printed textiles and later mayor of Pawtucket, Rhode Island in 1898. The architect of the John F. Adams House is currently unknown, but the National Register of Historic Placess multiple property submission provides an interpretation of its design and architectural roots. The stylistic evidence suggests that the architect of the home was not local, noting the use of "Indian-derived columns and other Eastern details, as early as the 1840s." These details were introduced in the 1840s by Henry Austin, but the work also has similar aspects to the James Knapp House that were featured in Edmund V. Gillon Jr.s Early Illustrations and Views of American Architecture. Similarities to the Knapp house include the overall form, the pilastered cupola and Moorish windows. According to the NRHP nomination, the Providence Journal does not list the name of an architect, but notes that Nathan Crowell was the carpenter for the house. The nomination form goes as far as to suggest that Crowell may have copied the designs reprinted in Gillon&#39;s book. The design is noted as "characteristic of the distinctive vernacular taste of lower Connecticut."</p><br>
<h2>Use</h2><br>
<p>The John F. Adams House originally fronted on Broadway, but it was moved after it was purchased by the Beacon Oil Company in 1929. Near the John F. Adams House are the identical twin Fuller Houses.</p><br>
<h2>Importance</h2><br>
<p>The multiple property submission states that the John F. Adams House is the "finest late Italianate dwelling still standing in Pawtucket. The exotic details of its principal facade &ndash; the Moorish window hoods and Indian porch columns &ndash; are unmatched in the city and link the Adams House to a group of similar mid-nineteenth-century dwellings designed by Henry Austin and his followers in the vicinity of New Haven, Connecticut." Despite having been moved, the house was still found to have met the standards for the National Register of Historic Places due to the architectural and historical significance of the property and that the move was relatively insignificant. The John F. Adams House was added to the National Register of Historic Places in 1983.</p><br>
<p>Arts Auto is a historic former service station at 5–7 Lonsdale Avenue in Pawtucket, Rhode Island. It is a single-story brick structure with a flat roof and a series of towers capped by pointed roofs. It was erected as an automotive service station in 1927–28 for Arthur Normand at a time when gasoline producers competed, in part, by the shape and style of their service stations. This station is one of two stations known to survive from this period in the state. Its front facade has a dramatic presentation, with square towers topped by pyramidal roofs at the corners, and a projecting round bay in the center topped by a conical roof, with windows arrayed around the bay and on its flanks. The building is currently used as an office for Anchor Financial. Arts Auto was listed on the National Register of Historic Places in 1978.</p><br>
<h2>Design</h2><br>
<p>Art&#39;s Auto was constructed for Arthur Normand in 1927–28 on a triangular lot intersected by Main Street and Lonsdale Avenue (Rhode Island Route 122). Also intersecting are Thurston Street and Randall Street, forming a busy intersection in Pawtucket, Rhode Island.</p><br>
<p>The service station is a single-story brick structure measuring 32 ft by 40 ft. The interior and exterior of the building are divided into two distinct sections, with the original office and sales display area measuring 14 ft deep and the rear area being 26 ft deep. The front division&#39;s corners are marked by four square turret-like piers with pyramidal roofs, each capped with a single over-scaled ball finial. Projecting from the center of the southwest facade is a circular tower with a ten-sided conical roof and a large ball finial. The front of the building has large display windows and a doorway on each side, comprising the majority of the facade which is topped by a false mansard roof. The rear division is devoid of architectural ornamentation, consisting of a flat metal roof to house the garage of the service station. An overhead garage door allows access for vehicles into the concrete floor service area.</p><br>
<p>In 1978, the building likely used asbestos shingles for the front roofing, though they may have been removed by later renovations.</p><br>
<h2>Use</h2><br>
<p>Arts Auto was originally used as a gas station, but it had been abandoned and was slated for demolition after it was acquired by the Pawtucket Redevelopment Agency. In 1978, the agency recognized the buildings historical nature and decided to preserve the property.</p><br>
<p>The vacant property was later purchased for use by a lawyer and then by an auto dealer before being purchased by Joseph Baptista in 2000. Baptista had to survey the ground to ensure that the gas tanks had been removed. Since 2000, Baptista&#39;s mortgage finance company Anchor Financial has operated out of the location and the building has continued to retain its historic features.</p><br>
<h2>Significance</h2><br>
<p>Arts Auto is historically and architecturally significant as a type of novelty gas station that was constructed during the phase in which America became highly mobile and yet had not designed specific forms and marketing for automobile service stations. The buildings design was intended to capture the attention of motorists and capitalize on the positive imagery of the design. Pawtuckets Arts Auto and Gilbane&#39;s Service Center buildings are both rare surviving examples of a dedicated service station displaying whimsical designs in what has been described as the second generation service stations. The design of both buildings represents the antithesis of standardization, opposed to the modern concept of promoting an "image of familiarity and reliability through uniformity". The building was listed on the National Register of Historic Places in 1978.</p><br>
<p>The E. A. Burnham House is an historic house at 17 Nickerson Street in Pawtucket, Rhode Island. It is a -story wood-frame structure, with a cross-gabled hip roof plan. Its exterior is finished in wood shingles, with decorative Gothic Revival bargeboard, finials, and other elements. The buildings interior contains elaborately carved woodwork, most of which has survived conversion of the building to multiple units. The house was built in 1902 for Eugene Burnham, a local businessman, and is one of the few known designs of local architect Albert H. Humes. The propertys garage, which is stylistically similar to the house, may be one of the oldest in the city.</p><br>
<p>The house was listed on the National Register of Historic Places in 1983, where it is listed as "G.A. Burnham House".</p><br>
<p>The Childs–Brown House is an historic house in Pawtucket, Rhode Island. It is a two-story wood-frame structure, roughly square in shape, with a low-pitch hipped roof broken by dormer roofs. An ell extends to the rear of the house. Both the eaves and the roof of the front porch exhibit heavy brackets typical of the Italianate style. The interior also retains Italianate style in its woodwork, most prominently in the semi-elliptical main stairway. Built in 1868–69 for Alfred L. Childs, an ice dealer, it was for a number of years owned by members of the Brown family prominent in Rhode Island civic and economic life.</p><br>
<p>The house was listed on the National Register of Historic Places in 1983.</p><br>
<p>The Church Hill Industrial District is an industrial historic district on the west side of Pawtucket, Rhode Island. It encompasses an area that was intensively developed between about 1850 and 1920, and includes five separate industrial facilities. Four of these are relatively modest in size , and originally served a combination of textile mills and ironworks, the latter of which often manufactured parts used in the textile manufacturing processes. The oldest building is an 1848 ironworks facility, which runs along Pine Street between Main and Bayley. The largest single complex, added in the 2011 expansion of the district, is the Union Waddell complex between Bayley Street and the Amtrak railroad tracks, which has ten surviving buildings from the early 20th century.</p><br>
<p>The district was added to the National Register of Historic Places in 1982, and enlarged in 2011.</p><br>
<p>Collyer Monument is an historic monument to firefighters in Mineral Spring Park, at the corner of Mineral Spring Avenue and Main Street, in Pawtucket, Rhode Island, United States. The monument was built in 1890 by the sculptor Charles Parker Dowler to honor Samuel Smith Collyer, a fallen Pawtucket Fire Chief. The life-size bronze sculpture stands atop a pedestal of Westerly granite, which has a bronze plaque depicting the fatal accident while the reverse bears an inscription. The memorial represents a significant example of monumental work of the period and an early example of local civic pride. The monument was added to the National Register of Historic Places in 1983.</p><br>
<h2>Samuel Collyer</h2><br>
<p>Samuel Smith Collyer was born on May 3, 1832, in Pawtucket, Rhode Island. After his schooling, he took a job at the Pawtucket Post Office as a clerk and later was a store clerk in a shop. He became a machinist and worked for a period of about seven years before becoming a partner in his uncle, Nathan S. Collyer. When Nathan Collyer died in 1877, the business passed to his wife and then to Samuel Collyer upon her death in 1879. Collyer would maintain control of the business until his death and he would serve on the board of water commissioners in charge of the development of the Pawtucket Water Works. He also played an active role in local administration as a member of the Town Council of North Providence, serving as its president for a period of three years. From 1848 to his death, Collyer was connected to the fire departments of North Providence and Pawtucket, rising to the rank of Chief Engineer in 1874. In 1851, he married Ellen Whipple and they would later have one daughter, Mary Collyer.</p><br>
<p>The accident that would take the life of Samuel Collyer came in July 1884. While responding to a fire alarm, Hose Carriage #1, on which Chief Collyer was riding, struck an upright stone post on the corner on Mineral Spring and Lonsdale Avenue and tipped over. All six firefighters were injured in the accident, those less seriously were on the step and seat of the carriage, but Collyer who rode on the reel was crushed underneath. Collyer sustained a punctured lung and broken ribs, but managed to survive for almost three weeks before succumbing to his injuries. Contemporary accounts state that the funeral service and procession were the most elaborate of any in the towns history. Collyers home, known as the Potter–Collyer House, was listed on the National Register of Historic Places in 1983.</p><br>
<h2>Design</h2><br>
<p>The Collyer Monument was erected in 1890 by the citizens of Pawtucket for the cost of $2500. Noted sculptor Charles Dowler was commissioned to produce a life-size bronze of Collyer. Dowler sculpture measures 7 ft high and 4.5 ft wide and depicts Collyer in full firefighters uniform with a trumpet in hand. The base is 4.5 ft wide and 8 ft tall and made of Westerly granite from Westerly, Rhode Island. A bronze plaque depicts the scene of the accident which claimed his life and his name is inscribed in an arch on the upper portion of the statues base. The metal picket fence which encloses the statue was designed as part of the monument. On the reverse, the granite base contains the inscription commemorating Collyer who died in the line of duty. The inscription reads: Erected To The Memory / Of / Samuel S. Collyer / Who Died July 27, 1884 / While In The Discharge / Of His Duty As / Chief Engineer Of The / Pawtucket / Fire Department / Born May 3, 1832.</p><br>
<h2>Significance</h2><br>
<p>The Collyer Monument is historically significant as an example of "the representational, statically monumental approach favored by most American sculptors in the last quarter of the nineteenth century." The monument is also one of the first-known civic sculptures in Pawtucket and serves as a representation of civic pride and artistry in memorializing a local who was held in utmost respect by its citizens. The dedication of this monument came on the concluding day of Pawtucket&#39;s Cotton Centenary Celebration in 1890 and was attended by Governor John W. Davis. The Collyer Monument was added to the National Register of Historic Places in 1983.</p><br>
<p>The Lorenzo Crandall House is an historic house in Pawtucket, Rhode Island. It is a -story wood-frame structure, built in 1848–49 for  Lorenzo Crandall, a carpenter. It features modest Greek Revival styling, including corner pilasters, a wide banded cornice, and molded window caps. It is a well-preserved example of a type of housing that was once quite common in Pawtucket, but is no longer.</p><br>
<p>The house was listed on the National Register of Historic Places in 1984.</p><br>
<p>The Division Street Bridge is an historic roadway and sidewalk stone arch bridge in Pawtucket, Rhode Island, carrying Division Street over the Seekonk River. The structure was built in 1875–1877 at a cost of USD$95,000. It is a nine-span stone and brick bridge with a total length of about 450 ft, making it the "finest and longest" stone arch bridge in the state. It is said to be a symbolic icon of the unity of the two neighborhoods, which are divided by the river, coming together as the Town of Pawtucket. The bridge was listed on the National Register of Historic Places in 1983. Although it may be "functionally obsolete" relative to traffic patterns and in need of repairs, it is considered to be architecturally and historically significant.</p><br>
<h2>Design</h2><br>
<p>The Division Street Bridge is a nine-span stone and brick structure, with a total length of about 450 ft. Each of its spans consists of a segmented arch of about 50 ft in length. The road bed is 27 ft wide, and there are 7 ft sidewalks on either side. The mean height of the bridge above the water is 45 ft. The piers of the bridge are constructed of coursed granite ashlar and the voussoirs are dressed granite with single keystones. The spandrels, the space between the arches, are filled with mortared granite rubble, and the arch barrels are constructed with an estimated 550,000 bricks. The original roadway was made of granite blocks, the seams of which were filled with tar, but this has been modified with modern asphalt paving and with the piers being modified with the addition of reinforced concrete sheathing for the river piers. The iron walkways, produced by Crowell and Sisson, project over both the sides of the bridge with iron brackets.</p><br>
<p>Constructed from 1875 to 1877 at a cost of USD $95,000, the details of the bridges construction and its architect are unknown. A contemporary account states that the need for the bridge was first proposed in 1871, but it wasnt until a town meeting on March 1, 1875, that it would be decided upon in a vote. A commission to oversee the project included C. B. Farnsworth, William T. Adams, and William R. Walker, and the contract was awarded to Horace Foster. A local architect, William R. Walker was on the town&#39;s committee, but his role in the design or appearance of the bridge is unknown. Other figures involved in the construction of the bridge include Cushing and Company, later known as Cushing and Shedd, consulting engineers, and Horace Foster was the general contractor. Though it originally began as a contract for US$71,000, the bridge would increase in costs to US$95,000 due to the changes that were made. The granite was sourced from the towns of Sterling, Connecticut, and Westerly, Rhode Island. Repairs for the bridge listed in the 1906 annual report recorded US$15.82 for unspecified work. Though listed as only a footnote, repairs to the bridge were made in 1918.</p><br>
<h2>Current state</h2><br>
<p>The Division Street Bridge was last rehabilitated in 1985, but it remains open under no restrictions after its inspection in May 2012. Data from the National Bridge Inventory lists the superstructure and substructure as in fair condition. The scour condition is critical, but the recommended work is rehabilitation of the structure.</p><br>
<p>The report estimates the cost of repairs to be US$9,834,000. A collection of reports dating back to 1995 lists the bridge as "functionally obsolete" for its current traffic requirements. A 2006 traffic report listed the bridge as carrying 21,900 vehicles daily. In 2007 the historic bridge saw an increase in traffic, as a heavy truck detour during the reconstruction of the nearby I-95 Pawtucket Bridge. In 2012, the Pawtucket River Bridge reopened without weight restrictions to northbound traffic. The Division Street Bridge is used as part of a detour in the event of closure of the I-95 Pawtucket River bridge.</p><br>
<p>Loads on the route which goes over the bridge have twice been reduced, and are now limited to 18 tons to help preserve the bridge.</p><br>
<h2>Significance</h2><br>
<p>The Division Street Bridge is architecturally significant as the longest stone arch bridge in Rhode Island and historically significant as a symbolic gesture to link and unify the two rapidly growing neighborhoods on Pawtucket Falls under the newly formed Town of Pawtucket. The bridge was listed on the National Register of Historic Places in 1983.</p><br>
<p>The Exchange Street Historic District is an industrial and civic historic district roughly along Exchange, Front and Fountain Streets in Pawtucket, Rhode Island. The 10.5 acre area is located just north of Pawtucket&#39;s downtown, and includes seven buildings and the Exchange Street Bridge, which spans the Blackstone River. The seven buildings are sandwiched between the river to the west, Broadway to the east, Blackstone Avenue to the north, and Front and Exchange Streets on the south. The most prominent buildings in the district are the 1926 William E. Tolman High School, sited high above the river just north of Exchange Street, and the Pawtucket Armory, built in 1895 and featuring crenellated towers. South of Exchange Street stand several mill buildings dating as far back as 1874.</p><br>
<p>The district was added to the National Register of Historic Places in 2002.</p><br>
<p>The Fifth Ward Wardroom is a historic meeting hall at 47 Mulberry Street in Pawtucket, Rhode Island. It is a single-story red brick building, with a low-pitch hipped roof. Basically rectangular, an enclosed entry pavilion projects from the main block. The building was designed by William R. Walker & Son and built in 1886. Originally used as a polling place and meeting hall, it was later used as a school and by veterans organizations before being converted into a single family residence during its National Register of Historic Places nomination. It was listed on the historic register in 1983.</p><br>
<h2>Design</h2><br>
<p>Designed by William R. Walker & Son and constructed by S. Mason & H. A. Smith in 1886, the one story red brick Queen Anne style building is basically rectangular with a low-pitched hipped roof. The red bricks are laid in dark red mortar and is contrasted by the granite sill course and brownstone belt course at window sill level. The building has a central closed entry pavilion which projects out and has two porches oriented to face Mulberry and Cedar Street. The building has three lunette windows on the sides of the main block, each divided into thirds, and a smaller windows on the pavilion&#39;s pedimented end. The rear ell has double hung two-over-two sash windows. At the time of the nomination, during the renovations to a single family home, the house had its Cedar Street porch closed in with plywood and the smaller lunette windows were boarded in, but the exterior wooden trim was largely extant.</p><br>
<h2>Use</h2><br>
<p>The Fifth Ward Wardroom was constructed and used as a polling place and meeting hall in a critical time when Pawtucket was incorporated as a city before later being used as a school and eventually a legion post. At the time it was nominated to the National Historic Register, the house was undergoing renovations to become a private single family residence. Prior to its conversion, it was the Henrietta I. Drummond Post No. 50 of the American Legion. According to public records, the house remains a private residence.</p><br>
<h2>Significance</h2><br>
<p>The Fifth Ward Wardroom is historically significant as a reminder of the pivotal time in which Pawtucket was incorporated as a city and gave up its town-meeting form of governance. The building is also architecturally significant as a rare type of building, wardrooms, and is one of three extant examples in Rhode Island. William R. Walker & Son constructed three such structures in Pawtucket with the First Ward Wardroom being extant and the third example having been demolished. Though both were constructed by William R. Walker & Son, the two Pawtucket wardrooms are related, but not identical in construction and show variations by the firm. Another wardroom, with a bungalow style, is located in the Cato Hill Historic District in Woonsocket, Rhode Island. The Fifth Ward Wardroom was listed on the National Register of Historic Places in 1983.</p><br>
<p>Fire Station Number 4 or Fire Station No. 4 is a historic fire station located at 474 Broadway in Pawtucket, Rhode Island. The building historically has also been called the Collyer Fire Station. The Queen Anne Style station was built in 1890. It is a -story, hip-roofed rectangular brick building with two brick wings and a bell tower. Constructed of red brick with sandstone trim and sandstone lintels and sills on the windows, the building has a foliate terracotta plaque bearing its name and date of construction. The fire station was closed as a firehouse in 1974, when the current Fire Station Number 4 on Cottage Street opened. The interior of the building was greatly modified to accommodate offices and meeting rooms by the time of its listing on the national register. In 2014, the building is being used by the Catholic Charities of Providence. Fire Station Number 4 was added to the National Register of Historic Places in 1983.</p><br>
<h2>Design</h2><br>
<p>Fire Station Number 4, also known as the Collyer Fire Station, (see building plaque) was constructed in 1887-1888 by H. L. Bassett & Co. and F. L. Mason on the southwest corner of Broadway and Carnation Street, in the center of Pleasant View neighborhood. The building was completed and named in 1890. The main block of the Queen Anne-styled red brick firehouse is a -story, hip-roofed rectangle with a cross-gable facing Broadway. A pair of matching single-story wings with gable-on-hipped roofs project from the long sides of the building. The building has small hip-roofed porches with arched openings on the main entrance and Broadway facing sides. Though constructed of red brick and pinkish mortar, sandstone was used for the window sills and lintels and the station&#39;s trim. The building has detailed terracotta work, with an ornate foliate name and date plaque on the front gable and a string course at the base of the corbeled main entrance. Above the plaque is a semi-circular window, and another round-headed window is on the northern side. The northwest corner has a square hose drying/bell tower that also has its own round headed window. Photos of the building are available here.</p><br>
<h2>Use</h2><br>
<p>In 1974, Fire Station Number 4 was replaced by a new Fire Station Number 4 located on 397 Cottage Street. This was not to be the only replacement of the firehouses which would be reused through the Community Development Block Grant program, which assisted in the adaptation in the late 1970s and into the 1980s. By the time of its nomination, the fire station had been re-purposed as office and meeting space for city agencies. In 2014, the property was used by the Catholic Charities of Providence for Project Hope as a "Diocesan community advocacy, parish outreach and social service assistance center". In 2017, a new tenant, Rhode Island bankruptcy lawyer John S. Simonian, became a tenant in the building.</p><br>
<h2>Significance</h2><br>
<p>The Fire Station Number 4 is architecturally significant as an example of a late 19th-century Queen Anne-style firehouse. The firehouses distinguishing feature is the corbeled cornice and terracotta trim, but also it is historically significant as an example of Pawtuckets maturation as a city. The boundary for the property is listed as Plat 7B, lot 164 and includes the surrounding area, totaling less than one acre. Fire Station Number 4 was added to the National Register of Historic Places on November 18, 1983.</p><br>
<p>The First Ward Wardroom is a historic meeting hall at 171 Fountain Street in Pawtucket, Rhode Island. It is a single-story red brick building, with a low-pitch gable-over-hipped roof. Basically rectangular, an enclosed entry pavilion projects from the main block. The building, designed by William R. Walker & Son and built in 1886, is one of only three ward halls  to survive in the state. Since about 1920 it has been the Major Walter G. Gatchell Post No. 306 of the Veterans of Foreign Wars. The building was listed on the National Register of Historic Places in 1983.</p><br>
<h2>Design</h2><br>
<p>Designed by William R. Walker & Son and constructed by S. Mason & H. A. Smith in 1886, the one story red brick Queen Anne style building is basically rectangular with a low-pitched gable-over-hipped roof. The red bricks are laid in dark red mortar and is contrasted by the granite sill course and the now painted grey brownstone stringcourse, window sills and lintels and the lintels of the doors. The enclosed entry pavilion projects from the main block with two porches oriented to face Fountain Street and Blake Street. Three arched double hung windows with two-over-two sash run along the sides of the building with three smaller windows are in the entry pavilion. At the time of the National Register of Historic Places nomination, these smaller windows were boarded up and the porch oriented to Fountain Street was bricked in with the buildings original materials. One original eight-panel door remained on the Blake Street entry porch, but the rest of the exterior details were extant, including the boarded pavilion pediment with "1st Ward" in raised lettering.</p><br>
<p>National Register of Historic Places nomination states that the interior of the building originally opened into a large meeting hall with some auxiliary service rooms at the rear of the building, but did not disclose any alterations made to the interior.</p><br>
<h2>Use</h2><br>
<p>The Fifth Ward Wardroom was constructed and used as a polling place and meeting hall in a critical time when Pawtucket was incorporated as a city before becoming the Major Walter G. Gatchell Post No. 306 of the Veterans of Foreign Wars. Since about 1920, the Gatchell Post has occupied the First Ward Wardroom, but the property is owned by the City of Pawtucket. In 2013, the building was in need of significant roof repairs and the Gatchell Post reached out to the community to help raise the necessary funds.</p><br>
<h2>Significance</h2><br>
<p>The First Ward Wardroom is significant as a historical reminder of the pivotal time in which Pawtucket was incorporated as a city and gave up its town-meeting form of governance. The building is also architecturally significant as a rare type of building, wardrooms, and is one of three extant examples in Rhode Island. William R. Walker & Son constructed three such structures in Pawtucket with the Fifth Ward Wardroom being extant and the third example having been demolished. Though both constructed by William R. Walker & Son, the two Pawtucket wardrooms are related, but not identical in construction and show variations by the firm. Another wardroom, with a bungalow style, is located in the Cato Hill Historic District in Woonsocket, Rhode Island. The First Ward Wardroom was listed on the National Register of Historic Places on November 18, 1983.</p><br>
<p>The Foster–Payne House is a historic house at 25 Belmont Street in Pawtucket, Rhode Island. Built in 1878, the two-story multi-gabled house is distinguished by its clapboarded and exterior woodwork and opulent parlors in the interior. The property also has a matching carriagehouse with gable roof and cupola. The house was originally constructed and owned by Theodore Waters Foster, but it was sold to George W. Payne in 1882. The Foster–Payne House is architecturally significant as a well-designed and well-preserved late 19th century suburban residence. It was added to the National Register of Historic Places in 1983.</p><br>
<h2>History</h2><br>
<p>The house was built in 1878 for Theodore Waters Foster, born on May 19, 1847, to Chauncey Foster and Ophelia Remington. He was educated in Pawtucket and joined the Rhode Island Cavalry in 1863. He served in the American Civil War under Nathaniel P. Banks in the Red River Campaign. In 1873, he formed a jewelry-manufacturing partnership with Walter E. White and Samuel H. Baily, named White, Foster & Company. After White retired in 1878, the company was renamed Foster & Bailey. During this time, Foster constructed the house and lived in it for a period of four years, commuting to his place of business in Providence, Rhode Island. Foster would continue to be successful in his jewelry manufacturing business and his son, Theodore Clyde Foster, would succeed him upon his death in 1928. In 1882, Theodore Foster sold the home to George W. Payne, the owner of the G. W. Payne & Company.</p><br>
<h2>Design</h2><br>
<p>Constructed in 1878, the Foster–Payne House is a two-story home with a low-pitched multi-gabled roof. The house has a single story open porch on the western side, a kitchen ell that projects from the rear and a single-story bay window that projects from the western bay of the front facade. The house is distinguished by its clapboard exterior and wooden trim under the gable peaks, the window trim and the porch brackets. There are three types of windows used on the house, single and paired one-over-one windows and two-over-two windows.</p><br>
<p>The small foyer on the western entry porch leads to the main stairhall that features a gently curving staircase with turned balusters and a curving rail. The first floor rooms are arranged in an "L" pattern on the southern and eastern sides with the kitchen placed on the northern ell. The interior of one room, not specified in the NRHP nomination, has been altered with a pressed tin ceiling. The second floor of the home was not described in the NRHP nomination. The interior of the rooms display late Victorian details, with the front parlor having a carved marble mantlepiece, a molded central ceiling medallion and a painted ceiling with scroll-work. The back parlor has a marbleized slate mantlepiece with an over-mounted mirror in a Renaissance Revival frame. On the back edge of the lot is a two-story clapboarded carriagehouse with a Victorian cupola. This structure was not described in the NRHP nomination, but a photo from 2013 shows the cupola has been damaged.</p><br>
<h2>Significance</h2><br>
<p>The house is architecturally significant as a well-designed and well-preserved late 19th century suburban residence, with excellent interior detail and a matching carriagehouse. The area in which it is located was situated in an upper-class suburban area, but since the late 19th-century commercial and industrial buildings have entered the area. The property was added to the National Register of Historic Places in 1983.</p><br>
<p>The Fuller Houses are two historic homes at 339-341 and 343-345 Broadway in Pawtucket, Rhode Island. Constructed in 1896–1897, the two Queen Anne-styled homes were constructed as rental properties for the Fuller family and are believed to have originally been identical in construction. The -story houses are marked by an octagonal bay which contains the front staircase and a large two-story porch projecting almost completely from the house itself. For the National Register of Historic Places nomination only a single unit was examined, but the identical unit below is believed to have undergone minimal alterations. The other house, 343-345 Broadway, was not surveyed, but has been more seriously modified to allow for four apartment units. The Fuller Houses are architecturally significant as well-preserved and well-detailed Queen Anne-styled apartment flats. The Fuller Houses were added to the National Register of Historic Places in 1983.</p><br>
<h2>History</h2><br>
<p>The Fuller Houses were constructed in 1896-1897 for Susan E. Fuller. Fuller&#39;s husband, Charles H. Fuller, operated a successful jewelry findings firm. The Fullers owned the houses until 1915, and intended to use them as rental properties. The only member of the Fuller family to reside in one of the houses, specifically 341 Broadway, was Alice G. Fuller beginning in either 1911 or 1912. The houses are positioned to be prominently viewed from their location on the east side of U.S Route 1 and from northbound traffic on Interstate 95.</p><br>
<h2>Design</h2><br>
<p>The Fuller Houses are originally believed to have been constructed as identical -story Queen Anne-styled homes with both having their gable-ends facing the street. The southern flank of the building is visually broken up by a two-story bay window with a gabled peak. A semi-octagonal bay on the northern corner of the houses indicates the position of the front staircase. A single-story porch with a shed-roof overhangs the front doorways. A striking feature of the Fuller Houses is the two-story circular porch on the southwest side. The porches are almost removed from the building and topped with a conical roof and ornamented with Queen Anne-style spindle. The exterior walls of the houses are clapboarded and the tops of the gables have simple metal finials.</p><br>
<p>For the National Register of Historic Places nomination, only the interior of one of the four units was surveyed, the second floor interior of 341 Broadway. This unit is accessed from a spiral staircase leading from the first floor to the attic. The second floor landing has a short foyer before opening to two parlors. The front parlor is said to have had a water fountain which was removed, but the plumbing is said to exist within the floor. The back parlor has a Queen Anne mantel and leads to the dining room with large floor-to-ceiling china closets. Located on the east side of the apartment is the kitchen, pantry and rear staircase. The north part of the apartment contains two bedrooms and a bath. The NRHP nomination states that the alterations to the unit were minimal and it is likely that the same would have been done for the first floor unit. The northern Fuller House, containing 343-345 Broadway, has been more seriously modified because it has been split into four units. In 2013, real estate information for 343 Broadway suggests the expanse of the modifications to the house by listing the property as having 20 rooms, with 8 bedrooms and 5 baths. According to Trulia the house was sold in 2010 for $140,000 and still in the four unit configuration. A three-bay stuccoed garage dating from the 1920s or 1930 is used by 339-341 Broadway.</p><br>
<h2>Significance</h2><br>
<p>The Fuller Houses are architecturally significant as a pair of two well-preserved and well-detailed two-family Queen Anne-style apartment "flat" houses. The Queen Anne-style spindle-work porches are descriptive in the NRHP nomination as the most impressive examples remaining in Pawtucket. The two houses represent an important step in the development of Pawtuckets architectural development and contribute to the citys visual character. The Fuller Houses were added to the National Register of Historic Places in 1983.</p><br>
<p>Gilbanes Service Center Building is an historic automotive service station at 175-191 Pawtucket Avenue in Pawtucket, Rhode Island. It is an L-shaped structure, built of concrete blocks and finished in stucco. Its most prominent feature is a whimsical Art Deco tower, built up from one of the corners nearest the street in five stepped tiers. Details from the tower are repeated in the decoration of the roofline above the buildings service bays. This building was built c. 1931, and is a second-phase automotive service station, one which offered repair services as well as fuel, and is one of the finest surviving examples of the form in the state.</p><br>
<p>The building was listed on the National Register of Historic Places in 1983.</p><br>
<p>The Hope Webbing Company Mill is a historic textile mill at 999-1005 Main Street in Pawtucket, Rhode Island. The three brick buildings on this 7 acre are the surviving elements of what was once a larger complex, extending across Esten Avenue. The oldest portion of the main mill and the boiler house were built in 1889, with the mill growing by numerous additions through 1914. The preparing building was built in 1902 and enlarged in 1913. The Hope Webbing Company was established in 1883, and used these premises to manufacture narrow fabrics  using many different types of fibers, including cotton, jute, wool, and silk. The company occupied all or part of the premises until 1994, when it moved its remaining production to Cumberland.</p><br>
<p>The mill was listed on the National Register of Historic Places in 2006.</p><br>
<p>The Louis Kotzow House is a historic house in Pawtucket, Rhode Island. It is a -story wood-frame structure, laid out in an L shape. Its exterior is visually busy, with numerous projecting dormer and gable sections, and elaborate woodwork, including bracketed eaves and applied Stick style woodwork on a projecting bay section. Its porch has a delicate jigsawn railing, with a wooden frieze and decorative arches above. The house, built c. 1875, is one of two  built by the German Land Cooperative Association, which sought to create a German-speaking enclave in the area.</p><br>
<p>The house was listed on the National Register of Historic Places in 1983.</p><br>
<p>Leroy Theatre was a historic movie palace in Pawtucket, Rhode Island. It was built in 1922, listed on the National Register in 1983, and demolished in 1997.</p><br>
<h2>The building</h2><br>
<p>The Leroy was one of the finest and largest theatres of the period in all of New England, built when Pawtucket was at its economic height. It was one of the finest buildings in a city already brimming with distinguished architecture. The lobby featured a large fireplace, a grand staircase, and a frieze of golden vases. The interior had seats for 2,700 people, and included extensive ornamentation such as mirrors, colored lights, brass rails, and gold leaf. It had a mirrored lobby, an electric chandelier with 4,700 bulbs, and the largest Wurlitzer organ in New England. Above the balcony was a dome filled with classical sculpted figures.</p><br>
<h2>History</h2><br>
<p>The theatre was designed by architect John F. OMalley and was built in 1922 for client Charles Payne, a power company executive. Payne spared no expense on the building, named in honor of Paynes son Leroy, who had been killed in World War I.</p><br>
<p>The theatre opened in May 1923. Charles Payne died four years later, on January 5, 1927, at age 59.</p><br>
<p>At the time of the Leroys construction, Pawtucket was a prosperous mill town. In addition to the Leroy, it boasted a half-dozen theatres and two dozen hotels. Of these, the Leroy was considered the towns "most lavish public building", and was referred to as Pawtucket&#39;s Million Dollar Theatre.</p><br>
<p>The Leroy hosted vaudeville acts, silent (and then sound) movies, and all manner of theatrical productions and musical performances. However, by the late 1960s, the once-wealthy mill town had fallen into decline, and moviegoers had begun to prefer suburban multiplexes to the old downtown movie palaces.</p><br>
<p>The theatre was closed in 1963, briefly reopened in 1976, and was again shuttered. It was listed on the National Register of Historic Places in 1983.</p><br>
<p>A ballet company briefly attempted to use the theatre in 1984, and it was operated as a concert hall from 1985 to 1990. In April 1997 the building was sold to a Boston developer and demolished later that year, along with three neighboring buildings, to build a Walgreens drugstore.</p><br>
<p>Liberty Arming the Patriot, sometimes called Freedom Arming the Patriot, is a bronze sculpture at Park Place in Pawtucket, Rhode Island, commemorating the participation of the city&#39;s citizens in the American Civil War. It was designed by William Granville Hastings and cast by the Gorham Manufacturing Company in 1897. Unlike many Civil War memorials, Liberty Arming the Patriot is a dynamic composition, depicting a young farmer setting his plow aside, and reaching to take a sword from a classical female figure clad in breastplate and wielding a pike. The statue is 11 ft in height, and is mounted on a granite base 10 ft high and 22 ft wide. The sculpture was listed on the National Register of Historic Places in 2001.</p><br>
<h2>History and design</h2><br>
<p>The sculpture was commissioned by the Ladies Soldiers Memorial Association of Pawtucket, Rhode Island to honor those who served in the American Civil War. The funding for the sculpture came as the result of an 11-year fundraising campaign that was provided for by donations and entertainment events. The cost of the monument was stated to be $13,000 by The New York Times, but report stated it to be $12,000. William Granville Hastings was chosen as the sculptor to execute the construction of the monument after winning a competition. The sculpture was cast by the Gorham Manufacturing Company.</p><br>
<p>The central feature of the monument depicts the theme of a young man called from civil life to serve his nation in a time of need and it transforms the theme into a contemporary allegory. It captures the decisive moment as farmer is caught mid-transition, with his left hand still on the plow handle, and taking the sword with his right hand from Liberty. The details of the farmer includes realistic work clothes, a yoked shirt with rolled sleeves and work trousers tucked into his boots. Liberty, identified by her Phrygian cap, stands just above the farmer in classical robes with a breastplate, sandals and cloak. Her face is impassive as she bestows the sword upon the farmer with her left hand while her right hand holds her pike.</p><br>
<p>Beneath the farmer and Liberty is a bronze plaque depicting a Union artillery battery under the command of General Ambrose Burnside capturing a bridge in the Battle of Antietam. Flanked on the sides are two smaller triangular plaques which depict the female figures of History and Eternity. The Scribe of History, alternatively known as Epic Poetry, is writing on a tablet and Eternity both contemplates and is identified by a fern. The monument was dedicated on May 31, 1897, in ceremony conducted by the Grand Army of the Republic and an oration given by the Governor of Rhode Island, Elisha Dyer, Jr. The statue is 11 ft in height, and is mounted on a granite base 10 ft high and 22 ft wide.</p><br>
<p>According to the National Register of Historic Places, Liberty Arming the Patriot is historically significant as a "good representative of the character of early twentieth century figurative sculpture" and the quality of its design. It is also historically significant for its association with the Gorham Manufacturing Company, a prominent Rhode Island producer of high quality silverware and bronze statuary. Though it is commemorative in intention, the statue is important "because it documents the principal effort of Pawtucket to honor those who served in the Civil War." The sculpture was added to the National Register of Historic Places in 2001.</p><br>
<h2>Inscription</h2><br>
<p>The Main Street Bridge is an historic bridge carrying Main Street over the Pawtucket Falls in Pawtucket, Rhode Island. The oldest portion of this bridge consists of two flattened-arch spans, each about 40 ft in length, with a total bridge length of 110 ft. The bridge has been widened twice to accommodate increased traffic; the most recent widening was in the 1960s, when concrete abutments were added to the south, and the added section completed with I-beams. The bridge, built in 1858, is believed to be the oldest highway bridge in active use in the state.</p><br>
<p>The bridge was listed on the National Register of Historic Places in 1983.</p><br>
<p>The Mitchell–Arnold House is a historic house located in Pawtucket, Rhode Island.</p><br>
<h2>Description and history</h2><br>
<p>It is a picturesque -story wood-frame structure, built in 1871 and added to and modified in subsequent decades. It began as a flank-gable cottage, a form typical for the time, and was gradually extended with projecting sections, additions, and an elaborately decorated porch to create a fine example of Queen Anne architecture. The original house was built by James W. Mitchell, a clerk at a local lumber company; the additions were probably made by John H. Arnold, a real estate and insurance broker.</p><br>
<p>The house was listed on the National Register of Historic Places on November 18, 1983.</p><br>
<p>The Modern Diner is a historic diner in Pawtucket, Rhode Island, United States.</p><br>
<h2>Description</h2><br>
<p>The Modern Diner is the only known surviving Sterling Streamliner diner still in operation. Its profile resembles that of a 1934 silver locomotive that once pulled the streamlined Burlington Zephyr train. The diner&#39;s roof, now painted maroon, was originally silver.</p><br>
<p>New York City inventor Roland Stickney designed the diner, which the John B. Judkins Company of Merrimac, Massachusetts manufactured in 1940.</p><br>
<p>The diner has been held by the same owner for over 28 years. Its signature Custard French Toast was featured on television&#39;s Food Network as one of the "top five diner dishes in the US" in 2015.</p><br>
<p>The COVID-19 pandemic caused it to reduce its services during 2020.</p><br>
<p>The Nathaniel Montgomery House is an historic house at 178 High Street in Pawtucket, Rhode Island.</p><br>
<h2>Background</h2><br>
<p>It is a -story wood-frame structure, five bays wide, with a large central chimney, and a centered entry framed by sidelights and pilasters, and topped by an entablature. It was built circa 1815, probably by Nathaniel Montgomery, its first owner, as a tenement house, evidenced by the unusual room arrangements in the interior. It is the oldest known surviving tenement house in the city.</p><br>
<p>The house was listed on the National Register of Historic Places in 1984.</p><br>
<p>The Pawtucket Armory is an historic armory building at 172 Exchange Street in Pawtucket, Rhode Island. One of the major works of William R. Walker & Son, it was built in 1894–5. Built of red brick with granite and limestone trim, it has a distinctive main block, with crenellated towers at the corners, and is prominently sited near Pawtucket&#39;s central business district. It has a Richardsonian Romanesque entry, recessed under a round archway with wrought iron gates. The armory drill hall extends to behind the building along Fountain Street.</p><br>
<p>From 2005 to 2010, the armory housed the Jacqueline M. Walsh School for the Performing and Visual Arts. It is currently home to the Pawtucket Armory Arts Center.</p><br>
<p>The armory was listed on the National Register of Historic Places in 1983.</p><br>
<p>Pawtucket City Hall is located at 137 Roosevelt Avenue, just outside the central business district of Pawtucket, Rhode Island. The Art Deco-style building was designed by Providence architect John O&#39;Malley and was built in 1933–1936, its cost subsidized by funds from the Works Progress Administration.</p><br>
<h2>Building description</h2><br>
<p>Pawtucket City Hall has a large central entrance block, faced in limestone. three bays wide and three stories high, with an attic story fenestrated with three screened windows, and above that, a panel inscribed, “Pawtucket City Hall.” The central section is surmounted by a tower faced in brick and stone, which rises to a height of 209 ft above grade. The design of the central wing and tower derives, whether consciously or not, from the Nebraska State Capitol, an influential building, designed by architect Bertram Goodhue in 1920, and completed in 1932.</p><br>
<p>The main block is flanked by two wings, faced in brick, with pitched roofs, each six bays wide and three stories high (plus a basement level), which house the Pawtucket City Hall offices. The two principal wings each extend to secondary projecting wings that are two stories high, faced in brick, with flat roofs giving them a more utilitarian character. The north wing houses the central fire station, while the south wing houses the police department headquarters.</p><br>
<p>The building was added to the National Register of Historic Places in 1983. In 1999, it made a brief appearance in the movie Outside Providence.</p><br>
<p>The Pawtucket Congregational Church  is an historic church building at 40 and 56 Walcott Street, at the junction of Broadway and Walcott St., in the Quality Hill neighborhood of Pawtucket, Rhode Island.</p><br>
<h2>History</h2><br>
<p>Early in the towns history, the Baptists lived mainly on the west side of the river, and attended church services in Providence. The Congregationalists on the east side of the river attended services at the Newman Congregational Church three miles away in Rehoboth (now East Providence). The Congregationalists established their own Pawtucket Congregational Church on April 17, 1829, with nine members: eight women and one man. The first pastor was the Rev. Asa T. Hopkins. The congregations first church was destroyed by fire in 1864.</p><br>
<p>The Italianate/Romanesque style church building was designed by Boston, Massachusetts architect John Stevens (not to be confused with John Calvin Stevens) and constructed in 1867–1868; it is the only known work of Stevens in Rhode Island. The cost of construction was $64,000. In 1936 a Colonial Revival parish house was built behind the church, to designs by local architects Monahan & Meikle.</p><br>
<p>The church has been active in the community and leased a building to the first Rhode Island Childrens Museum from the 1970s to 1990s. The churchs main building was added to the National Register of Historic Places in 1978.</p><br>
<p>Since 2012, the church has been known as The Temple of Restoration Pentecostal Church, hosting a bilingual congregation.</p><br>
<p>The Frances Perkins House is a historic house at 2326 California Street NW in Washington, D.C. Built in 1914, it was from 1937 to 1940 the home of Frances Perkins , the first woman to serve in the United States Cabinet. Perkins was the Secretary of Labor under president Franklin Delano Roosevelt, and was a major force in advancing his New Deal agenda. This house was declared a National Historic Landmark in 1991.</p><br>
<h2>Description and history</h2><br>
<p>The Frances Perkins House is located in Washington&#39;s Sheridan-Kalorama neighborhood, on the south side of California Street roughly midway between 23rd and 24th Streets. It is the right hand side of two identical brick townhouses, which were originally built as mirror images of each other. They are three bays wide, with entrance in the outer bays, with segmented-arch transom windows and shallow pedimented porticos with engaged Ionic columns. Second-floor windows are set in rounded-arch openings, while the mansarded third floor has dormers with gabled and segmented-arch pediments. The interior of the Perkins House retains high quality woodwork, particularly in the main parlor.</p><br>
<p>The house was built in 1914, and was from 1937 to 1940 home to Frances Perkins. She served as Roosevelt&#39;s Labor Secretary from 1933 until 1945, the only one of his cabinet appointees to serve through all of his terms. Prior to this high-profile role, she had been active in improving working conditions and pay for the working classes, and as Secretary of Labor, she was instrumental in pushing for many elements of the New Deal. In addition to temporary measures such as the Public Works Administration and the Civilian Conservation Corps, she also helped draft legislation creating Social Security. Of the residences she occupied while in the post, this is one she lived in the longest.</p><br>
<p>The Pawtucket Elks Lodge Building is an historic site at 27 Exchange Street in the historic central business district of Pawtucket, Rhode Island. The Mission/Spanish Revival building was designed by the OMalley-Fitzsimmons Company and constructed in 1926. It is three stories in height, with its facade faced in buff brick, laid in Flemish bond, and trimmed in cast stone. Unusual for Elks lodges of the time, the buildings first floor was devoted to commercial tenants, with the upper floors devoted to Elks facilities.</p><br>
<p>The building was listed on the National Register of Historic Places in 1983.</p><br>
<p>The Pawtucket Times Building is a historic building at 23 Exchange Street in the historic central business district of Pawtucket, Rhode Island. It was formerly the home of the Pawtucket Times newspaper.</p><br>
<h2>History</h2><br>
<p>This five story masonry building was erected to house the facilities of the Pawtucket Times, which was founded in 1885. The building was designed by architects William R. Walker & Son in 1895 and completed in 1896. In 1922 the Times completed a large utilitarian addition facing North Union Street. This was designed by Bellows & Aldrich of Boston. In 1950 the complex was expanded and remodeled to plans by the Dwight Seabury Company, local architects and engineers.</p><br>
<p>In 2007 the owners of the Times, which by then was occupying only the first floor, put the building on the market. It was nearly sold several times and was considered as the new home for the Gamm Theatre. In 2019 the building was acquired by the owner of the Pawtucket Armory and the Times moved out. The new owner never moved ahead with redevelopment plans and the still-vacant building was placed back on the market in 2023.</p><br>
<p>The building was listed on the National Register of Historic Places in 1983.</p><br>
<h2>Architecture</h2><br>
<p>The main facade is faced in yellow brick with limestone trim. The first floor is divided into four bays, paired in size with the left one of the pair larger than the right. The entrance occupies the narrow bay on the far right, while the other bays are filled with windows and divided by limestone-faced piers. The next three floors also have four bays, but they are organized in mirror-image pairs, with a larger central bay with tripled windows flanked by an outer bay with a single sash window. The lintel treatments vary by floor; the windows on the fourth floor are round-arched. The fifth level is also organized in mirror-image paired bays, with the central bays each housing a row of four, small round-arch windows, and the outer bays only having two such windows. The building is topped by an elaborate dentillated cornice.</p><br>
<p>The Charles Payne House is an historic site in Pawtucket, Rhode Island. The house was built in 1855–56 by Charles Payne and later expanded with the addition of two ells and a porch. The -story Gothic-Italianate vernacular cottage is architecturally significant as a 19th-century vernacular cottage in a picturesque setting. Though the round-head picket fence and entry gates were later removed, the property retains a large shaded garden on with ample street frontage. The Charles Payne House was added to the National Register of Historic Places in 1983.</p><br>
<h2>History</h2><br>
<p>The house was constructed by Charles Payne, an engraver who founded the firm of Payne & Taylor for calico printers in 1849. In 1849, Payne began to purchase parcels of land that he would later construct the house on. The main block of the house was erected in 1855–1856 and later expanded with a north wing in the mid-1870s. The final major addition was an ell on the west side of the house, the date of construction occurred prior to 1902. Though the house has been the subject of some alterations, these changes are largely inconspicuous.</p><br>
<h2>Design</h2><br>
<p>The Charles Payne House is a -story Gothic-Italianate vernacular cottage that has a spacious garden founded on the site of a long-removed house. The houses gable end faces the street with a rear ell and the other ell perpendicular to the main block on the west side. Centered on the east end of the roof is a cross gable which is visually offset by the dormer on the west. The house has a small gable-roofed vestibule on the east side, aligned underneath the cross-gable. The rear ell has an attached porch that spans its length. A single story bay hexagonal bay window protrudes from the facade. The distinguishing feature of the Payne house is the wood trim exterior, consisting of hood mould on the paired windows on the south, four kinds of bargeboards and bracketed cornices on the rear ells east side. The interior of the Charles Payne House is not covered in detail by any survey, but has three mantelpieces on the first floor, two displaying Gothic Revival influence in their wooden designs and the third, located in the rear ell, made of grey marble with a round-head opening. Though not mentioned in the nomination, a photo shows one of the wooden mantlepieces filled with brick and rendered unusable at the time. The setting of the house was important to the National Register nomination, which specifically highlighted its shaded garden and fencing. At the time of the nomination, an ornamental round head picket fence surrounded the property and access was through a double-leaf lattice work gate. By 2013, the picket fence and entrance gate had been removed, but the property still retains the street frontage for its garden.</p><br>
<h2>Significance</h2><br>
<p>According to the National Register of Historic Places, the Charles Payne house is architecturally significance as an "unusually picturesque and well-preserved example of the small vernacular cottages erected during the middle years of the nineteenth-century in Pawtucket". The nominated property included the Charles Payne house, the surrounding yard, fence and garden, all of which contributed to the picturesque setting of the nomination. It was added to the National Register of Historic Places in 1983.</p><br>
<p>The Phillips Insulated Wire Company Complex is an historic industrial site at 413 Central Avenue in Pawtucket, Rhode Island. Encompassing three city blocks, the Phillips complex includes fourteen brick buildings with more than 350,000 ft&sup2; of space. They were built by the Phillips Insulated Wire Company between about 1898 and 1927. The company, established in 1888, was one of the most successful manufacturers of coated wire products, in an industry that ranked as the third-largest in Pawtucket. The complex was used by a variety of owners for the manufacture of such products until 2003.</p><br>
<p>The complex was listed on the National Register of Historic Places in 2004.</p><br>
<p>The Pitcher-Goff House , is an historic house at 58 Walcott Street in the Quality Hill neighborhood of Pawtucket, Rhode Island. The house is architecturally eclectic, with a largely Italianate exterior, and a Late Victorian interior. The house was built for Elias B. Pitcher, a cotton textile manufacturer, in 1840. Later it was sold to Lyman B. Goff, another local industrialist, who made significant alterations to the interior, replacing a great deal of the older woodwork with more fashionable Queen Anne styling in 1881. He also modified the exterior, but these changes were largely limited to the porch, which also exhibits fine Queen Anne detailing.</p><br>
<p>Goff deeded the house to daughter, Elizabeth Goff Wood, in 1922. In 1941 she donated the house to the Pawtucket Congregational Church for use by the local chapter of the American Red Cross. It has since served as a headquarters for the Boy Scouts of America, and in 1970 it was the first location of the Rhode Island Children&#39;s Museum. It was added to the National Register of Historic Places in 1976. In the early 2010s, it operated as an event and function space known as The Grand Manor.</p><br>
<p>The house was purchased by a jewelry maker in 2017, who then departed the property not long after.</p><br>
<p>The Potter–Collyer House is a historic house at 67 Cedar Street in Pawtucket, Rhode Island. The house, first constructed in 1863, is representative of vernacular architecture of the Pawtucket due to the great modifications to the home which has obscured the original structure of the home. Believed to have begun as a -story cottage with a gable roof, subsequent additions and expansions have added a two-story hip-roof addition and greatly altered the floor plan due to enlargement and remodeling. The Potter–Collyer House was added to the National Register of Historic Places in 1983.</p><br>
<h2>History</h2><br>
<p>The house was originally constructed in 1863 for Elisha O. Potter, but it was sold to Samuel S. Collyer four years later. Little is known of Potter&#39;s life, but Collyer was a partner in the N. S. Collyer & Company. Collyer would later become the Chief of the Pawtucket Fire Department in 1874 and died in 1884 from injuries sustained in the line of duty. Collyer would be memorialized by the town with the Collyer Monument, which is also on the National Register of Historic Places. The house was moved 400 ft from its original location in 1962 due to the construction of Interstate 95 in Rhode Island.</p><br>
<h2>Design</h2><br>
<p>The house is a timber-frame house that was originally constructed on the west side of Pine Street, but its original form is not known for sure due to the extent of its expansion and remodeling. The NRHP nomination states that it could have been a -story gabled roof cottage with a cross-gable in the center, a style popular during the mid-century in Pawtucket. This original structure retains little of its form except for the Gothic hood moulds on the second floor end windows and the Gothic bargeboards. A two-story hipped roof addition was constructed in two phases, one completed before 1877 and the other between 1895 and 1902. Though the NRHP also states that the original house was enlarged in the late 1860s or 1870s without specification to the work done at the time. The additions include a bay window on the facade and openwork on the porch sides. The later alterations to the building worked to complement the distinctive bargeboards of the cottage with the work on the eaves and window heads of the addition.</p><br>
<p>The house has an unconventional floor plan which has two doorways on opposite ends of the original cottage with the main entrance formerly on the east side. The NRHP nomination again notes that the doorways may have replaced an earlier vestibule on the original house. The eastern entrance leads to a library/office, that may have originally been a stairhall, and is connected to the eastern of the two front rooms. The western doorway, opposite, leads to a hallway with a three-run staircase with newels and balusters. The western room has a Renaissance Revival-style built-in bookcase and a slate fireplace mantel. The rear addition holds the dining room which has a "pseudo-exposed-beam ceiling" dated to around 1909. Though not detailed in the NRHP listing, the survey notes that the upstairs is simple in detail and appears intact, but that the "chamber floor plan in the front of the house appears to have been altered during the 1880s remodeling".</p><br>
<h2>Significance</h2><br>
<p>The Potter–Collyer House is architecturally significant as a unique example of vernacular architecture of Pawtucket in the 19th century. The NRHP nomination states that the alterations and remodeling of the home have produced a "most unusually composed and picturesquely detailed." Despite having been moved and altered, the house is unique and significant example of vernacular architecture. The Potter–Collyer House was added to the National Register of Historic Places in 1983.</p><br>
<p>The Quality Hill Historic District is a predominantly residential historic district on the east side of Pawtucket, Rhode Island. This area was developed as an upper-class residential area between the 1850s and the 1940s, and its architecture reflects a cross-section of styles popular in that time. Most of its residential stock is single-family residences, and is generally set on ample lots, although there are areas of more dense construction. The most densely populated area is a section of the neighborhood which was cut off from the rest by the construction of I-95. The most prominent non-residential buildings are the Pawtucket Congregational Church, Saint Raphael Academy, Assumption of the Virgin Mary Greek Orthodox Church, and the complex of the Roman Catholic St. Joseph&#39;s Parish.</p><br>
<p>The district main spine is Walcott Street which run eastward from the Seekonk River, and which provides a bridge across I-95 (as does Underwood Street) joining the two sections of the district. The eastern end of the district at Walcott is Bend Street. It extends northward as far as Lyon Street, and radiates south from Walcott on School, Summit, Maynard, and Arlington Streets. The district was listed on the National Register of Historic Places in 1984.</p><br>
<p>The Scholze–Sayles House is a historic house in Pawtucket, Rhode Island. It is a -story wood-frame structure, built in 1874–75. It is one of two  built by the German Land Cooperative Association, which sought to create a German-speaking enclave in the area. This house is a fine example of Gothic Revival style, and is stylistically similar to the Kotzow House, with a busy exterior that has numerous projecting and gabled sections, and Stick style decoration on a bay window. The interior was extensively redone in 1935 in a Federal Revival style by architect Albert Harkness.</p><br>
<p>The house was listed on the National Register of Historic Places in 1983.</p><br>
<p>Slater Park is the oldest and largest public park in Pawtucket, Rhode Island. The park is named after Samuel Slater, a famous American industrialist who constructed America&#39;s first water-powered textile mill in Pawtucket. The park lies on the banks of the beautiful Ten Mile River and features the 1685 Daggett House, the oldest house in Pawtucket. The park was added to the National Register of Historic Places in 1976. It also features an original Looff Carousel.</p><br>
<h2>History</h2><br>
<p>Covering 197 acre, the majority of the land (formerly known as the Daggett farm) was purchased by the city in 1894. The land of the original Daggett farm bore little resemblance to the park that exists today. The Providence Journal described the original tract as "...part swamp and part remains of a wornout farm... In its primitive state less than one-quarter of this area was open to the public. The rest was either densely wooded or so swampy that it was impossible to penetrate anywhere without sinking deep into the mud." Initial development of the park did not begin until 1907 when major improvements were made to this situation. All the swamp growth was removed in the process of turning the low-lying areas into ponds. The heavy underbrush on higher ground was also cleared out, while the established pines and maples were carefully preserved. At the same time, hundreds of oak and pine saplings were set out in selected areas, and grass was coaxed to grow once more on the abandoned fields. The result of these programs is a park which today displays a nearly even balance between grassy fields and open woods.</p><br>
<p>In 1894, the only roadway on the Daggett farm ran in a straight line from Armistice Boulevard (then Brook Street) to the Daggett House. A major project in the first years of park development was the building of a network of winding drives which opened most of the park to the driving public. At the same time, a system of paths was begun, with emphasis on walks along the river bank, the shores of the ponds, and out across a pair of bridges to the island in the Ten Mile River.</p><br>
<p>Between 1909 and 1917, several buildings were also erected within the park. This early development was largely directed by three men: the City Engineer, George Carpenter; the president of the Park Commission, James C. Potter; and the first Park Superintendent, George Saunders.</p><br>
<h2>Notable features of the Park</h2><br>
<p>In addition to the Daggett House and Looff Carousel, the park contains other buildings and features:</p><br>
<p>Slater Park Zoo: Early in Slater Park&#39;s development, a small collection of animals was put on display just across from the Daggett House. In 1916, this miniature zoo housed only pigeons, rabbits, and deer which roamed in a fenced run. Suffering financially, much of the zoo was closed in the 1990s. Today, while many of the original enclosures are still there, the area now serves as a petting zoo called Daggett Farm.</p><br>
<p>Potter Casino: Built in 1917, the "casino" or "resthouse" was constructed on the shores of the central pond. The building was the gift of James C. Potter, a member of the Pawtucket Park Commission since its inception, and its president since 1904. A Pawtucket architect, R. C. N. Monahan, designed the rest house in the Colonial Revival style, with walls of red tapestry brick, and a low hipped roof covered with green Ludovici tile. Its lower floor opened to the lake and was largely given over to an "aquatic room" to serve canoeists and skaters; the upper floor contained lavatories at the ends, separated by a wide "rest room" finished in oak and furnished with easy chairs and popular magazines. The building now houses the Rhode Island Watercolor Society and serves as a gallery. It is also used for various seasonal events such as Pawtucket&#39;s Winter Wonderland.</p><br>
<p>Bandstand: Also erected during the building campaign of 1917, the bandstand was erected at the opposite end of the pond from the Potter Casino. Of granolithic composition construction, the bandstand is in the form of a circular open temple, 24 in diameter, with ten columns carrying a steel dome and tile roof. The domes underside is sheathed in quartered oak, and the temple&#39;s frieze carries the names of ten famous composers. The location of the new bandstand, and the layout of the paths leading to it, were determined in consultation with John C. Olmsted, nephew and former partner of the more famous Frederick Law Olmsted.</p><br>
<p>Park Superintendent&#39;s house: A story-and-a-half cottage, built for the Daggett family about 1874, was remodeled in the early twentieth century to serve as offices for the Parks department.</p><br>
<p>Cogswell Fountain: Located in the triangle at the Newport Avenue entrance. Its shaft of polished gray granite once bore aloft a bronze stork while pure water gushed from the carved figures at each side of its triangular base, the fountain was presented to the citizens of Pawtucket and Central Falls by Dr. Henry D. Cogswell in 1880, and was originally set up in front of the Miller Block at the corner of Main and Mill Streets, (now Main Street and Roosevelt Avenue). The fountain was relocated to Oak Grove Cemetery for a brief period before it was finally transferred to Slater Park about 1904. In 1990 it was returned to its original spot at Main Street and Roosevelt Avenue.</p><br>
<p>The South Street Historic District encompasses a small enclave of 19th-century houses on South Street between Meadow and Fruit Streets in Pawtucket, Rhode Island. Covering two blocks of South Street, it includes 21 buildings, of which 15 were built before 1850, and the rest before 1900. Most of the houses are -story wood-frame structures, with many of the larger ones showing signs of having once been of a similar size. The most common architectural style is the Greek Revival, with notable examples at 19-21 and 37-39 South Street.</p><br>
<p>The district was listed on the National Register of Historic Places in 1983. The separately-listed Joseph Spaulding House is a contributing element of the district.</p><br>
